March 1961, Geneva Motor Show. A man walks the aisles between the stands, observing every detail of the new cars. This man is Enzo Ferrari. And when he stops in front of a British car he's never seen before, he utters a phrase that will send shivers down the spines of the entire automotive industry: "It's the most beautiful car in the world."
Can you imagine? Enzo Ferrari , the king of Maranello, the man who created the most beautiful Italian machines, had just bowed to a Jaguar. Not just any Jaguar: the E-Type. And I can tell you that on that day, the entire automotive industry understood that something extraordinary was happening.
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But to understand how we got here, I have to tell you the story of a man who hated being called a stylist. Malcolm Sayer was his name. And this guy would revolutionize the automobile without even realizing it.
The aerodynamicist who didn't want to be a stylist
Malcolm Sayer, born in 1916, wasn't a car guy at all to begin with. No, he was an aeronautical engineer at Bristol Aircraft during the war. You know, those guys who calculated how to make fighter planes fly at 600 km/h without them breaking up in mid-air.
And when he arrived at Jaguar in the 1950s, Sayer had one obsession: to apply the laws of aerodynamics to the automobile . But be careful, the man couldn't stand being called a "stylist." For him, it was almost insulting. He said: "I'm an aerodynamicist, not a hairdresser!"
While all the designers of the time were designing their cars with curves they liked, Sayer took out his logarithmic tables and mathematical calculations. Every curve, every angle, everything was calculated to cut through the air as efficiently as possible. For him, beauty should come from efficiency, not pure aesthetics.
And I must admit that when you look at the result... well, he wasn't wrong at all.
The Legacy of the D-Type
But Sayer wasn't starting from scratch. Jaguar had just dominated Le Mans three years in a row —1955, 1956, and 1957—with their D-Type. An absolutely formidable racing machine, but one reserved for the track.
Jaguar boss Sir William Lyons—he was known as "Mr. Jaguar"—had a brilliant idea: what if they created a road car based on this legendary D-type? A car that anyone could buy and drive every day, but with the DNA of a Le Mans winner.
This is where Sayer comes in. He takes the essence of the D-Type, its lines, its aerodynamic philosophy, and transposes it onto a production car. The result? A silhouette that seems sculpted by the wind itself.
The birth of a legend
So now imagine yourself in 1961. Cars were still fairly boxy machines, most of them not necessarily very fast. And then Jaguar arrived with their E-Type.
A 3.8-liter 6-cylinder engine that developed 265 horsepower . At the time, this was unheard of in a production car! It reached 240 km/h, making it literally one of the fastest production cars in the world .
But the craziest thing was the price. Do you know how much it cost? Around 2,250 pounds. To give you an idea, a Ferrari at the time was easily double, or even triple! Jaguar had just democratized the supercar .
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The innovations that changed everything
Technically speaking, the E-Type was revolutionary. Independent rear suspension, four-wheel disc brakes —at the time, most cars still had drum brakes—and a monocoque chassis that ensured rigidity and lightness.
All of this was technology found on racing cars, but here it was available in dealerships! And I can tell you, it didn't go unnoticed.
The night sprint that made history
Now I have to tell you the craziest anecdote from the launch of the E-Type. It's the Geneva Motor Show, March 1961. Jaguar presents their new gem, and there... it's total hysteria.
Visitors are milling around the stand, journalists are snapping away, everyone wants to see this marvel up close. And Sir William Lyons suddenly realizes that one car on the stand is not enough . He absolutely needs a second one, and fast!
So he picks up the phone and calls Norman Dewis , Jaguar's test driver, who's back at the Coventry factory. He says, "Norman, you need to take the E-Type roadster from the garage and come to Geneva. Now."
Dewis looks at his watch, quickly calculates: 1,300 kilometers, no highways at the time, and he has to be there for the opening of the show the next morning. Do you know what he does? He climbs into the E-Type and speeds off into the night .
Ten hours later, after maintaining an average speed of 110 km/h on country roads, Dewis arrives in Geneva. Just in time. And when he parks the roadster next to the coupe already on display, the effect is immediate: everyone understands that Jaguar has just made a big splash .
This story always makes me dream. Crossing Europe in the middle of the night at the wheel of a brand new E-Type... there are worse jobs, right?
The Bernard Miniatures Revolution
You know, the E-Type, it reminds me why I love cars from that era. Because it was the golden age of the automobile, when elegance and performance were perfectly combined . And holding a little 1/43rd scale E-Type in your hands is a bit like having a piece of this legend in your home.
That's why I opened my shop BernardMiniatures.fr. I have more than 1500 miniatures in stock, mainly 1/43 scale, and of course some magnificent Type Es. Well, I'm not a big site, so I often only have one or two pieces of each model, but that's also what makes it charming.
I have Jaguar of course, but also the whole world of vintage cars from the 50s to the 90s: Aston Martin, Ferrari, Porsche, Alpine... a bit of everything. Delivery is free from 75€ in France, and I make sure to wrap everything well with bubble wrap because these little wonders break easily.
Go take a look at bernardminiatures.fr if you're interested - and you'll see, I have some miniature E-Types that are definitely worth a look.
Now, let's talk a little more about this revolution that the Type E represented...
When celebrities snap up the E-Type
Because obviously, with a car like that, all the elite of the time wanted theirs . Steve McQueen, Brigitte Bardot, Frank Sinatra... The E-Type became THE symbol of the Swinging Sixties.
And by the way, I have to tell you the completely crazy story of Steve McQueen and the Swiss chef. So, we're during the filming of the movie "Le Mans," and McQueen eats every day in the same restaurant run by a certain Alfred "Fredy" Zurbrügg .
This chef had even invented a special dish he called the "Steve Steak" in honor of the actor. McQueen was so pleased that one day he offered the chef a choice of three cars as a gift: a Porsche 911, a Mercedes SL, and a Jaguar E-Type .
Zurbrügg didn't think twice and chose the E-Type. But there was a small problem: the guy didn't even have a driver's license! McQueen replied in German: "That's a gap in your education."
The craziest thing? Zurbrügg kept this E-Type for 52 years! Imagine receiving a Jaguar E-Type from Steve McQueen and keeping it for the rest of your life...
Art in its pure state
But what truly proves the E-Type's exceptional status is that in 1996, the Museum of Modern Art in New York added it to its permanent design collection. A car in a modern art museum! There are only six automobiles in the world to have received this distinction.
Can you imagine? Being exhibited alongside the works of Picasso and Warhol... Sayer had succeeded in his gamble: creating a car that was also a work of art.
The evolution of an icon
The E-Type was produced in three series between 1961 and 1975. More than 70,000 units in total! The Series 1, the one that interests us most, with its 3.8-liter engine and Moss gearbox whose first gear wasn't even synchronized.
In 1964, Jaguar released the Series 2 with a more torquey 4.2-liter engine. And in 1971, it was a revolution: a 5.3-liter V12 ! But hey, I remain a Series 1 purist. It's the one that made Enzo Ferrari fall in love with it, and that's not up for debate.
The numbers that make your head spin
To give you an idea of the prices at the time: a Type E was 40,700 francs in France. Opposite, you had the Porsche 356 B at 28,950 francs, but with only 88 horsepower and a top speed of 175 km/h. The Aston Martin DB4 went up to 72,000 francs, and the Mercedes 300 SL to 60,400 francs.
Jaguar simply offered the best performance/price ratio on the market . And with such elegance!
The legacy of Le Mans continues
You know what fascinates me most about this story? It's that the E-Type engine was the exact same block that gave Jaguar five consecutive victories at the 24 Hours of Le Mans during the 1950s with the C-Type and D-Type.
Imagine: you were buying a road car with a Le Mans-winning engine! That was the magic of the E-Type. You literally had racing technology in your hands, available for the price of a beautiful German saloon.
This inline 6-cylinder, with its aluminum cylinder head and cast iron block, spit out its 265 horsepower with metronomic regularity. And that sound... ah, that sound! A deep, melodious purr that sent shivers down your spine with every stroke of the accelerator.
Malcolm Sayer and his logarithmic tables
But back to our obsessive aerodynamicist. Because what Sayer accomplished with the E-Type was truly brilliant. He created a shape that remains perfect more than 60 years later .
Do you know how he worked? No romantic drawings or inspired sketches. No, Sayer took out his mathematical calculations, his logarithmic tables, and scientifically determined what the optimal shape should be to cut through the air.
The result? An exceptional drag coefficient for the time, and above all, this timeless silhouette that continues to turn heads today. That's genius: creating something beautiful while seeking only efficiency .
When Enzo Ferrari bows
Let's go back to that famous scene from the Geneva Motor Show. Enzo Ferrari discovers the E-Type and says, "It's the most beautiful car in the world." Do you understand the impact of that sentence?
Ferrari was the man who created the most beautiful cars in Italy . His 250 GTs and GTOs were four-wheeled works of art. And here he recognized the aesthetic superiority of a British car!
I sometimes wonder what was going through his mind at that moment. Did he regret his words? Did he think, "Damn, what did I just say?" Or was he genuinely in awe of Sayer's perfection?
In any case, this phrase went around the world and definitively placed the Type E in automotive legend.
The automobile becomes art
Because that's what it's all about. With the E-Type, the automobile became art. And I'm not just saying that for show: when MoMA in New York decides to exhibit your car alongside the greatest works of the 20th century, you've touched something universal.
Sayer had succeeded in creating a pure, mathematically perfect, yet deeply moving form . This is the paradox of the E-Type: born of cold calculations, it exudes a breathtaking sensuality.
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The legacy that endures
Today, more than 60 years after its introduction, the E-Type continues to fascinate. Examples in good condition fetch astronomical sums at auction. And every time an auction house presents a Series 1 E-Type, it's an event .
But beyond speculation, what touches me is that this car continues to move. When you pass an E-Type in the street - and it still happens to me sometimes - everyone stops. Young and old, connoisseurs or not, everyone is under its spell .
That's the mark of great creations: they transcend the ages without aging. And the E-Type, with its timeless lines, has this magical ability to instantly transport us back to the 1960s, a time when anything seemed possible.
Malcolm Sayer, the unsung genius
Malcolm Sayer died in 1970, aged just 54. So he didn't see the E-Type become the absolute icon it is today. But in some ways, he had already accomplished his life's work .
This man who refused to be called a stylist, who swore by his equations and calculations, had unknowingly created one of the most beautiful cars of all time. And that, my friends, is what you call genius.
The next time you see an E-Type, think of Malcolm Sayer and his logarithmic tables. Think of Norman Dewis's nighttime sprint to Geneva. Think of Enzo Ferrari bowing to this British marvel.
Because the Jaguar E-Type isn't just a car. It's a distillation of passion, engineering genius, and pure elegance . And you couldn't make that up.
